BLAME | Stepping Out
Little Men

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" My husband and I founded Plumfield as an school for children from all walks of life.  His passing has left an void in our lives.  But in the children, I see the promise of an new day and find the strength to keep our dream alive, no matter how hard the struggle."

The Christmas Angel
 
 

SCENE 24: INT. PLUMFIELD - SCHOOLROOM

SARA and the children are busy putting up decorations for the pageant.

NAN:

There you are. I've been looking all over for you. It's time to take your medicine.

SARA:

Thank you, Nan, but I don't need it. My wrist is feeling much better.

NAT:

You can help us decorate for the pageant, Nan. Here, you can start by hanging this up in the hayloft.

SARA:

[Pulling an angel out of its box.] It's beautiful.

ROB:

Oh, that's my angel.

BESS:

Uncle Fritz made that for Rob the year he was born, and every year he'd lift Rob up to put it on the tree.

SARA:

It's a beautiful angel, Rob.

NAN sees ROB with the angel that his father made for him and exits quickly.

SCENE 25: EXT. PLUMFIELD - BACK PORCH

SARA has followed NAN.

SARA:

Nan! Nan, wait.

NAN:

Are you all right, Sara?

SARA:

Yeah, I was just going to ask you the same thing.

NAN:

I'm fine.

SARA:

It must be difficult for you, this first Christmas without your mother.

NAN:

I'll be all right.

SARA:

Where's your father.

NAN:

In New York on business until after the holiday.

SARA:

I'm sorry about that. It must be difficult for him too.

NAN:

Yeah, real tough... spending Christmas in New York.

SARA:

Well, maybe he went there because he didn't want to think of Christmas at all. I remember when I was a little girl, my grandmother used to love Christmas, and I loved my grandmother very much. That first year after she died, I didn't want to have anything to do with Christmas. I thought if I could just keep myself real busy, I wouldn't have to think about how much I missed her, but then I started thinking about all the wonderful Christmas's that we had together: How we used to bundle ourselves up in our warm winter coats, and how we used to walk from house to house singing carols. The more I thought about all the fun things that we had done together, the more it was like she was still with me. Is there something special that you and your mother used to do together at Christmas?

NAN:

[Beat.] I gotta go help Asia. [She leaves quickly.]

SCENE 26: INT. PLUMFIELD - KITCHEN (Nighttime)

SARA is sitting at the table with pen and paper at hand. JO enters.

JO:

Have you seen Rob?

SARA:

No.

JO:

Sometimes I think this house has too many rooms.

SARA:

Jo, I don't know what to do. I've been trying to write Thomas a letter, telling him that I won't be coming home, but I can't stop thinking about what he said. About my child not having a father. What would you do?

JO:

I would write the letter, and I would tell him that I, too, want my child to have a father. But I also want my child to grow up in a home without anger or violence, where everyone is treated with respect and kindness, and until he can prove that his is such a home, my child and I will have no part of it. [Jo exits. Sara begins to write.]

SCENE 27: INT. PLUMFIELD - PARLOUR

ROB is holding his angel. JO enters.

JO:

There you are. You should be getting ready for bed.

ROB:

When do we get our tree?

JO:

Soon.

ROB:

Do I still get to put the angel on top?

JO:

Of course you do. Let's just put this in a safe place for now. That way it won't get broken. Okay?

SCENE 28: INT. PLUMFIELD - JO'S ROOM

JO enters her room, holding the angel that FRITZ made for ROB. She looks at it and then sets it aside as she gives into the grief and tears.

SCENE 29: INT. PLUMFIELD - PARLOUR (Next day)

SARA is sitting at the piano, playing "O Holy Night". NICK enters.

NICK:

Sorry, I couldn't help listenin' in.

SARA:

I'm a little rusty, and the splint doesn't help much.

NICK:

Sounded all right to me. You know, it takes a lot of courage leavin' your husband like you did. [Beat.] About the other day, I didn't mean to get so angry. I just wanted him to leave you alone. I don't take kindly to men who beat women. I seen too much of it growin' up.

SARA:

Well, I wish I could say that he got what he deserved, but I can't. Whether it's me or Thomas or anyone, being beaten like that is just not right. [Nick exits.]

SCENE 30: EXT. PLUMFIELD - BACK PORCH

SARA approaches NAN to find the girl crying over the doll her father sent her.

SARA:

Nan, the other kids are looking for you. They want to do a rehearsal of the pageant. [Beat.] Are you all right?

NAN:

My mother used to make shortbread cookies.

SARA takes NAN in her arms and lets her cry.

SCENE 31: INT. PLUMFIELD - SCHOOLROOM

DAN and EMIL are holding onto ropes which are going to be used to suspend BESS as the pageant angel. BESS is sitting on the edge of the loft, completely harnessed.

TOMMY:

All right, jump!

BESS:

I don't think so.

DAN:

Don't worry, Bess. We got you.

EMIL:

Hurry up, my arm's getting tired.

BESS:

I'm not doing this.

JACK:

Come on, Bess. You know angels gotta fly.

BESS:

Not this angel.

DAN:

[Nan and Sara enter.] Hey, Nan, will you tell Bess it's safe? We're not gonna drop you.

BESS:

I don't see why this angel has to fly. I mean, I could just stay up here and look down upon you.

JACK:

No. I think it would work better if you fly.

NAT:

It's not that high.

DAN:

Come on, Bess.

NAT:

What do you think, Nan?

NAN:

Looks safe to me.

BESS:

Fine. Then you can be the angel.

EMIL:

She's an angel. She's supposed to fly.

NAN:

All right. [Climbs up the ladder to the loft to take Bess's place.]

SCENE 32: INT. PLUMFIELD - KITCHEN

SARA comes into the kitchen looking for JO.

SARA:

Asia, did Jo go into town? I haven't seen her all morning.

ASIA:

She hasn't come down from her room yet.

SARA:

But it's almost noon.

ASIA:

I checked on her earlier. She said she was feeling poorly. I was just about to bring her up some tea.

SARA:

I'll bring it to her.

ASIA:

Okay.

SCENE 33: INT. PLUMFIELD - JO'S ROOM

JO is sitting in her chair, staring out the window. She is still dressed in her nightgown.

SARA:

Jo? Asia made you some tea. She says you're not feeling well.

JO:

Thank you, Sara, but I'm feeling better now. Could you tell Asia and the children that I'll be down in a few minutes?

SARA:

Sure. May I come in? [Beat.] It's freezing in here, Jo.

JO:

[Gets up distractedly and heads towards the fireplace.] I'll put some more wood on the fire.

SARA:

The fire's out, Jo. It's been out for hours.

JO:

I'll just re-light it.

SARA:

Jo, are you all right?

JO:

I'm fine. I just didn't sleep well last night. I've got a lot on my mind.

SARA:

[Picks the angel off the bed.] Rob's angel. He must miss his father very much.

JO:

[Jo breaks down into tears.] I can't believe I'm letting the holidays get the best of me. I thought I was stronger than this.

SARA:

Jo, you're one of the strongest people I ever met. You're running an entire school by yourself. I only wish that I had half the strength that you do.

JO:

How can you say that? You have the strength to be alone, start all over again. You're raising this child all by yourself.

SARA:

But you're doing it, and not just one child. You're raising all of these children, and you're doing a great job. You know, when things got really bad with Thomas, I used to pray to God to rescue me, and for the longest time, I used to think that my prayers had gone unanswered, but I was wrong. He did answer them. He gave me the strength to rescue myself. And he's given you that strength as well. We're not so different, Jo. I lost my husband, too. He's not the same man that I fell in love with. I guess we're both just doing what we have to do for ourselves, for our children.

SCENE 34: INT. GRAVEYARD

JO lays a wreath by FRITZ's grave as MEG looks on.

SCENE 35: INT. PLUMFIELD - SCHOOLROOM & PARLOUR

With the backdrop of MEG singing "O Holy Night" to SARA's accompaniment, we have the opportunity to see a collage of Christmas scenes at Plumfield. As NAT plays his violin, the pageant is played out for the parents with BESS as Mary, DAN as JOSEPH and NAN as the angel. ROB, one of the shephards, pulls down his beard and smiles lovingly at his mother in the audience.

MEG:

O Holy Night,

The stars are brightly shining.

It is the night of our dear Saviour's birth.

Long lay the world in sin and error pining

'Til he appeared and the soul felt its worth.

A thrill of hope, the weary world rejoices

For yonder breaks a new and glorious morn.

O Night Divine,

O night when Christ was born.

O Night Divine,

O Night, O Night Divine.

After the pageant, everyone gathers at the house, away from the snow and cold, to partake in a sumptuous feast. With NICK's help, JO lifts ROB to place his angel on the top of the tree.

Who's your faviote LITTLE MEN?

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